Contents
- IYou Can’t Remember Colors — Visual Memory
- IIContext Is Everything — The Relativity of Color
- IIILighter or Darker? — Judging Intensity
- IVOne Color, Two Faces — Reversed Grounds
- VTwo Colors, One Face — Subtraction
- VIThe Ghost in Your Eye — After-Images
- VIIMixing Without Mixing — The Illusion of Transparence
- VIIITwo Laws of Mixing — Additive and Subtractive
- IXMixing in the Eye — Optical Mixture
- XColor Makes Space — Boundaries and Depth
- XIOne Thread, Whole Cloth — The Bezold Effect
- XIIThe Color That Splits — Fluting and Middle Mixtures
- XIIITransposing Color — Intervals and Transformation
- XIVHow Much Matters — Color Quantity
- XVThin and Thick — Film Color and Volume Color
- XVIThe Logarithm of Looking — The Weber-Fechner Law
- XVIIEdges That Buzz — Vibrating Boundaries
- XVIIIEdges That Vanish — Equal Light Intensity
- XIXRe-Coloring a Composition — Palette as Translation
- XXOpen Studio — Composition Without a Target